Holly V. Monroe

Calligraphy • Design • Illumination

As a third generation lettering artist aka calligrapher, I’m in the business of making well-loved words come alive in a visually expressive way. They may dance across the page in delight on a greeting card, convey dignity or gratitude on an award, inspire heartfelt emotions on a broadside or bring an old world look to a family tree. Throughout the years, I’ve incorporated detailed decoration and illustration into my designs, which helps to bring greater interest to the words.

A specialty that sets me apart is the ability to create designs on genuine parchment along with the application of 23.75 k gold leaf. This has brought a more discriminating client into my studio, allowing me to spend more time in the details. In addition to the calfskin, I create and letter on colorful, abstract paste-paper backgrounds in a variety of styles. Styles include pointed pen scripts, italic, gothic, uncial, book hand, modern brush lettering plus hand drawn contemporary and traditional decorated letters, borders and flourishes. A variety of pens, brushes and other tools make this all happen. Not to mention the beautiful hand made papers used, as well!

Over the last 44 years, I have designed for the greeting card and gift market, lettered on walls while up on scaffolding, designed in-depth family trees, logos and commercial lettering, created high-end hand lettered and illustrated one-off art books along with many other creative and unusual projects.

The lettering arts bring a great deal of soul satisfaction to me as well as to my clients. ‘Meaningful words’ have a way of touching our hearts, inspiring us to be better people! It has been a fascinating journey for me and I am grateful for both the artistic work, as well as for the delightful friendships I make along the way.

Below is a photo of Clifford D. Mansley, Sr.,  at his drawing board, when he was in his eighties. Second generation.  (In time, I’ll post more). See my SHOP for some of his designs.

My Family Art & Calligraphy History….

It all started in Philadelphia, when my grandfather, Walter E. Mansley decided to become a school teacher. He taught handwriting, short-hand and business classes to high school students and he took correspondence courses with Earl Lupfer, then the Principal at the Zanerian College of Penmanship, Columbus Ohio. I still have a few of those old letters between Walter and Earl where they also discuss my fathers’ potential. In addition, my grandfather was a member of IAMPETH (International Association of Master Penmen, Engrossers’ and Teachers of Handwriting. As a young girl, I loved looking at those old journals.) In 1944-45, my father, Clifford D. Mansley, Sr. was in the Navy, but when WWII ended, Dad traveled to the Zanerian College and studied with Lupfer 10 hours a day for 3 months. He became quite good at Engrossers’ Script, Old English and a few other styles. Then, he was accepted at the Wharton School at the University of Pennsylvania so he left, but while commuting to Penn he met my mother. Dad was whistling a classical music piece on the trolley and my mother recognized it. That was their first connection. Jean was attending Moore College of Art, so that was yet another plus. (Later my mother would sometimes created the layout/illustration for Dad’s calligraphy work). Although my father was an executive for the Boy Scouts of America, through the years he worked as a freelancer for nearby Engrossing studios, particularly when we lived in New Jersey. During my Jr Hi and Sr Hi years, my bedroom was next to my Dad’s studio and I would stand over his shoulder and watch while he lettered and illuminated certificates, testimonials and resolutions. I was soaking in his skill!

While I was in Junior HS, my talented mother taught drawing classes for students, including me. This was very helpful! She had me creating all along the way.  Then, in my Senior year, at Chatham High School, NJ, I began practicing Engrossers’ Script and Old English. I sure wasn’t very good, but my Dad pushed me to take a few commissions, stating that when I went off to college, I could start up my own little calligraphy business from my dorm room. I did just that, lettering fraternity certificates and short quotes for fellow Miami U college students. Although I was an education major, I decided that I would like to stay home with my children and saw a calligraphy business as a way to keep my skills sharp, bring in some income, but remain flexible enough to raise my children. Perfect!  I count 1980 as the official start to my calligraphy studio. In the 1970’s there was a resurgence of calligraphy and I began studying with other accomplished calligraphers from around the US and Internationally. So there you have it, more to tell, but at least you have a little background.

Mission:

To feed the soul by making meaningful words beautiful.

Soli Deo Gloria!

Select Clients

  • Abbey Press
  • Bath & Body Works
  • DaySpring Cards, Inc.
  • Design Design Inc.
  • Dicksons
  • Divinity Boutique
  • Freixinet
  • Home Interiors
  • Leanin’ Tree
  • Patrigraphica
  • The Printery House
  • Twinrocker Wedding Album
  • Universal Designs
  • Warner Press
  • Zondervan

Books & Journals

  • Bound & Lettered Volume 14-Number 4,
    • A Modern Book of Hours, pp 6-13, 49, back cover
  • Bound & Lettered Volume 16 – Number 3,
    • Lettering Your Lineage (Family Trees), pp 29-33
  • Bound & Lettered Volume 10-Number 2,
    • Lettering on the Walls of a Church, p 30-33
  • The Speedball Textbook
    24th Edition; Centennial, p. 55
    23rd Edition; pp. 42, 85
  • Pen Calligraphy Manual
    by Fran Strom; p. 101
  • The Complete Idiot’s Guide to Calligraphy
    by Jane Eldershaw; pp. 53, 133, 139, 143
  • Letter Arts Review
    Volume 17:4, page 39
    Volume 26:4, page 28
  • How to Write Your Life Story
    Reader’s Digest 2006; Karen Ulrich; p. 156